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A fresh, inspiring guide to writing fiction.
Method and Madness takes its title from Hamlet: “Though this be madness, yet there is method in’t.” Comprehensive and accessible, it provides guidelines to all aspects of fiction writing, from generating ideas to getting published. With a wealth of imaginative yet practical exercises and 39 stories―the most in any guide to fiction writing―Method and Madness offers friendly, down-to-earth instruction in the art and craft of fiction.- Sales Rank: #176887 in Books
- Published on: 2008-12-04
- Original language: English
- Number of items: 1
- Dimensions: 9.20" h x 1.10" w x 6.60" l, 1.80 pounds
- Binding: Paperback
- 620 pages
About the Author
Alice LaPlante teaches creative writing at San Francisco State University and Stanford University, where she is a former Wallace Stegner Fellow. Her fiction has been published in the Southwest Review, Epoch, and Stanford Magazine, and her nonfiction has been published in Discover, BusinessWeek, and the San Jose Mercury News, among other publications. She lives in Palo Alto, California.
Most helpful customer reviews
27 of 28 people found the following review helpful.
Nuances in Creative Writing
By Soapsuds
Author LaPlante's textbook Method and Madness--The Making of a Story is a textbook you will not put down. You will be surprised to find new twists and turns on the subject and the various ideas of writing a short story, a novel or a novelette. For example, I was surprised and at first shocked to find out the everlasting dictum of "show and don't tell" have been misinterpreted. This is because high school professors and even college professors who continue to teach their students not to "tell" when writing, but to concentrate on "showing". LaPlante explains the "Show and Tell" idea in a clear understandable and clear way. This concept is explained in Chapter 5 under the subheading of, "Why You Need to Show and Tell--Dramatizing and Narrating". The chapter, as well as the rest of the chapters, is followed by a set of exercises the student and or reader may undertake in order to understand the nuances of the chapter. The exercises are followed by two short story readings. In this chapter, the reader is introduced to the short story titled, "Brownies" by ZZ Packer and "Everything That Rises Must Converge" by Flannery O'Connor. Both short stories complement the "Show and Tell" ideas explained in the given chapter.
The textbook consist of fourteen chapters, an anthology of ten stories and thirty-nine readings. The chapters are as follows:
Chapter 1, What Is This Thing Called Creative Writing--The Basics?
Chapter 2, The Gift of Not Knowing--Writing as Discovery
Chapter 3, Details Details--The Basic Building Blocks
Chapter 4, The Short Story--Defining and Shaping
Chapter 5, Why You Need to Show and Tell--Dramatizing and Narrating
Chapter 6, Who's Telling This Story? Point of View
Chapter 7, How Reliable Is This Narrator? How Point of View Affects Our Understanding
Chapter 8, He Said, She Said--Crafting Effective Dialogue
Chapter 9, What happens Next? Figuring the Plot
Chapter 10, Recognizable People--Crafting Characters
Chapter 11, Raising the Curtain--Beginning Your Story
Chapter 12, What's This Story Really About? True Emotions, Sensory Events
Chapter 13, Learning to Fail Better--On Revision
Chapter 14, Getting Published--A Guide to Starting Out
The last chapter, chapter 14, gives the reader an insight into the world of magazine publishing. Some of the headings under this chapter are:
The Lowdown on Literary Magazines
Preparing Your Manuscript
Choosing Your Target Publications--and Following Directions Carefully
Sending It Off
Simultaneous Submissions
All Rejections Are Not Equal
Success!
Publishing: A Case Study
This textbook is much better organized and developed than "Writing Fiction: A Guide to Narrative Craft" by Janet Burroway. For your peace of mind, examine the reviews on both textbooks. Even the anthology of stories and short story readings included in "Method and Madness" are superb, interesting, and hard to put down. The reader will want more of the story once he or she has finished the two readings included after every chapter. All readings left me thinking further and with the wish to continue exploring other works from the given authors. Tim O'Brien's short story titled, "The Things They Carried" had a profound effect on me. "The Bees" by Dan Chaon is another of the many readings, which is not only suspenseful, but it left me thinking of the ending. All of the thirty-nine readings are superb and interesting.
As a writer, and or student, you will not get rid of this textbook after you finish studying it. I guarantee you will decide to keep it next to your writing desk and often refer to it. It will come in handy as you develop your novel, short story, and novelette or to refresh your memory on the many writing concepts clearly and expertly described by author Alice LaPlante.
I strongly recommend this textbook for creative writing students and to interested readers who like to learn more of the art of creative writing.
21 of 22 people found the following review helpful.
A Utterly Superb Text
By Erin Donovan
I had to buy this book for a short story workshop I enrolled in. I wasn't expecting much, having had lots of creative writing textbooks assigned by a lot of teachers, and frankly found them all to be boring and not-very-helpful. This one just blew me away. I thought I "knew it all" -- but LaPlante keeps challenging conventional wisdom. She gives you the deepest, most masterful explanations of craft I've ever encountered -- and then encourages you to make up your mind about how to use these tools. No imposing of narrow-minded rules that you all too often get in workshops. I have to admit, it made me want to go back and tell former colleagues in workshops...wait! I was wrong about that! The readings are great, but what I find especially useful are the examples. LaPlante doesn't ever tell you anything without fully illustrating it with an excerpt -- whether from a published masterpiece or from a student's work. So you're always grounded. Get this book. You'll be as grateful as I am to the teacher who assigned it.
5 of 5 people found the following review helpful.
Buy the non-textbook version!
By nomadd
During LePlante's May 21, 2014 appearance on "Writers on Writing", she stated this textbook is EXACTLY the same as her other writing book, _The Making of a Story: A Norton Guide to Creative Writing_. Even LaPlante doesn't use the textbook version when she teaches. Save yourself the ridiculous $30 mark-up by buying the trade paperback instead for less than $20.
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