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When the editors of Chûô kôron, Japan's leading liberal magazine, sent the prizewinning young novelist Ishikawa Tatsuzô to war-ravaged China in early 1938, they knew the independent-minded writer would produce a work wholly different from the lyrical and sanitized war reports then in circulation. They could not predict, however, that Ishikawa would write an unsettling novella so grimly realistic it would promptly be banned and lead to the author’s conviction on charges of "disturbing peace and order." Decades later, Soldiers Alive remains a deeply disturbing and eye-opening account of the Japanese march on Nanking and its aftermath. In its unforgettable depiction of an ostensibly altruistic war’s devastating effects on the soldiers who fought it and the civilians they presumed to "liberate," Ishikawa’s work retains its power to shock, inform, and provoke.

• Sales Rank: #1083839 in eBooks
• Published on: 2015-08-28
• Released on: 2015-08-28
• Format: Kindle eBook

Review
"The twentieth century, and now the twenty-first, has seen brutal wars in every part of the globe. Many firsthand accounts of these conflicts have been written, but none more compelling than Soldiers Alive. . . . A landmark in war reportage."

About the Author
Zeljko (Jake) Cipris is assistant professor of Japanese at the University of the Pacific, Stockton, California.

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23 of 23 people found the following review helpful.
strangely compelling
By Mr. Thao D. Vo
this is the best war novel i've ever read. the writing is brisk, the story moves quickly, the portraits of the soldiers are powerfully lucid. this novel manages to pull off an incredible feat---it makes brutal soldiers who are war criminals seem almost sympathetic (almost). the novel makes these soldiers appear almost as if they are pawns of forces much larger than themselves. the ending chapter is the best ending chapter of any book that i've read.

4 of 4 people found the following review helpful.
An Excellent Novel of the Japanese Experience in World War II
By Robert Bolton
I purchased this novel to gain some idea of what World War II was like through the eyes of the Axis. While German and Italian writers have been available for decades, in both fiction and memoirs, there has been a surprising paucity of work from the Japanese perspective, with a few exceptions like Letters From Iwo Jima. This book is not common propaganda, however. The author, Tatsuzo Ishikawa, was a journalist embedded with an army unit that participated in the Massacre of Nanking. This experience is transplanted into the novel with a group of soldiers that have just prior to the novel's opening seen combat, and will again as they enter Nanking. Although these soldiers are not good men, nor even necessarily likable ones, it shows the haunting effect certain acts of brutality can have on even the hardest of men. To compare to the novels of an earlier war, this is a novel that carries the sentiments of Erich Maria Remarque with the imagery and random violence of Ernst Junger. On the whole, I highly recommend this novel. It is a relatively quick read and creates understanding (if not pity) for a side whose experiences are rarely noted.

0 of 3 people found the following review helpful.
Japanese soldiers lives
By John Cowsert
one perspective of Japanese soldiers

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A fresh, inspiring guide to writing fiction.

Method and Madness takes its title from Hamlet: “Though this be madness, yet there is method in’t.” Comprehensive and accessible, it provides guidelines to all aspects of fiction writing, from generating ideas to getting published. With a wealth of imaginative yet practical exercises and 39 stories―the most in any guide to fiction writing―Method and Madness offers friendly, down-to-earth instruction in the art and craft of fiction.

• Sales Rank: #176887 in Books
• Published on: 2008-12-04
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.10" w x 6.60" l, 1.80 pounds
• Binding: Paperback
• 620 pages

About the Author
Alice LaPlante teaches creative writing at San Francisco State University and Stanford University, where she is a former Wallace Stegner Fellow. Her fiction has been published in the Southwest Review, Epoch, and Stanford Magazine, and her nonfiction has been published in Discover, BusinessWeek, and the San Jose Mercury News, among other publications. She lives in Palo Alto, California.

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27 of 28 people found the following review helpful.
Nuances in Creative Writing
By Soapsuds
Author LaPlante's textbook Method and Madness--The Making of a Story is a textbook you will not put down. You will be surprised to find new twists and turns on the subject and the various ideas of writing a short story, a novel or a novelette. For example, I was surprised and at first shocked to find out the everlasting dictum of "show and don't tell" have been misinterpreted. This is because high school professors and even college professors who continue to teach their students not to "tell" when writing, but to concentrate on "showing". LaPlante explains the "Show and Tell" idea in a clear understandable and clear way. This concept is explained in Chapter 5 under the subheading of, "Why You Need to Show and Tell--Dramatizing and Narrating". The chapter, as well as the rest of the chapters, is followed by a set of exercises the student and or reader may undertake in order to understand the nuances of the chapter. The exercises are followed by two short story readings. In this chapter, the reader is introduced to the short story titled, "Brownies" by ZZ Packer and "Everything That Rises Must Converge" by Flannery O'Connor. Both short stories complement the "Show and Tell" ideas explained in the given chapter.

The textbook consist of fourteen chapters, an anthology of ten stories and thirty-nine readings. The chapters are as follows:

Chapter 1, What Is This Thing Called Creative Writing--The Basics?
Chapter 2, The Gift of Not Knowing--Writing as Discovery
Chapter 3, Details Details--The Basic Building Blocks
Chapter 4, The Short Story--Defining and Shaping
Chapter 5, Why You Need to Show and Tell--Dramatizing and Narrating
Chapter 6, Who's Telling This Story? Point of View
Chapter 7, How Reliable Is This Narrator? How Point of View Affects Our Understanding
Chapter 8, He Said, She Said--Crafting Effective Dialogue
Chapter 9, What happens Next? Figuring the Plot
Chapter 10, Recognizable People--Crafting Characters
Chapter 11, Raising the Curtain--Beginning Your Story
Chapter 12, What's This Story Really About? True Emotions, Sensory Events
Chapter 13, Learning to Fail Better--On Revision
Chapter 14, Getting Published--A Guide to Starting Out

The last chapter, chapter 14, gives the reader an insight into the world of magazine publishing. Some of the headings under this chapter are:

The Lowdown on Literary Magazines
Preparing Your Manuscript
Choosing Your Target Publications--and Following Directions Carefully
Sending It Off
Simultaneous Submissions
All Rejections Are Not Equal
Success!
Publishing: A Case Study

This textbook is much better organized and developed than "Writing Fiction: A Guide to Narrative Craft" by Janet Burroway. For your peace of mind, examine the reviews on both textbooks. Even the anthology of stories and short story readings included in "Method and Madness" are superb, interesting, and hard to put down. The reader will want more of the story once he or she has finished the two readings included after every chapter. All readings left me thinking further and with the wish to continue exploring other works from the given authors. Tim O'Brien's short story titled, "The Things They Carried" had a profound effect on me. "The Bees" by Dan Chaon is another of the many readings, which is not only suspenseful, but it left me thinking of the ending. All of the thirty-nine readings are superb and interesting.

As a writer, and or student, you will not get rid of this textbook after you finish studying it. I guarantee you will decide to keep it next to your writing desk and often refer to it. It will come in handy as you develop your novel, short story, and novelette or to refresh your memory on the many writing concepts clearly and expertly described by author Alice LaPlante.

I strongly recommend this textbook for creative writing students and to interested readers who like to learn more of the art of creative writing.

21 of 22 people found the following review helpful.
A Utterly Superb Text
By Erin Donovan
I had to buy this book for a short story workshop I enrolled in. I wasn't expecting much, having had lots of creative writing textbooks assigned by a lot of teachers, and frankly found them all to be boring and not-very-helpful. This one just blew me away. I thought I "knew it all" -- but LaPlante keeps challenging conventional wisdom. She gives you the deepest, most masterful explanations of craft I've ever encountered -- and then encourages you to make up your mind about how to use these tools. No imposing of narrow-minded rules that you all too often get in workshops. I have to admit, it made me want to go back and tell former colleagues in workshops...wait! I was wrong about that! The readings are great, but what I find especially useful are the examples. LaPlante doesn't ever tell you anything without fully illustrating it with an excerpt -- whether from a published masterpiece or from a student's work. So you're always grounded. Get this book. You'll be as grateful as I am to the teacher who assigned it.

5 of 5 people found the following review helpful.
Buy the non-textbook version!
By nomadd
During LePlante's May 21, 2014 appearance on "Writers on Writing", she stated this textbook is EXACTLY the same as her other writing book, _The Making of a Story: A Norton Guide to Creative Writing_. Even LaPlante doesn't use the textbook version when she teaches. Save yourself the ridiculous $30 mark-up by buying the trade paperback instead for less than $20.

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• Sales Rank: #8697056 in Books
• Published on: 2011
• Binding: Hardcover
• 204 pages

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• Sales Rank: #2814871 in Books
• Brand: Brand: Motilal Banarsidass
• Published on: 2015-05-28
• Original language: English
• Dimensions: 9.00" h x 5.75" w x 1.00" l, 1.10 pounds
• Binding: Hardcover
• 267 pages

Features

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Review
"An authoritative book on a profoundly absorbing subject... Sher is a whole man to whom no aspects of spiritual side of man is alien..." Prof. Zuzuki Okasa --Zuzuki Okasa

About the Author
P.J.Saher, best known for his book Eastern Wisdom and Western thought, was born in Bombay and studied in England and Germany. He gave up a carrer at the Bar to take up research in mysticism, mastered yoga, and came under the influence first of Heidegger, then of Radhakrishnan and Huxley. He has published several widely read books in German.

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4 of 8 people found the following review helpful.
where Science - Faith -Tantra -Mahayana -and The IS meet...
By A Customer
This book might help anyone who tries to step toward self realisation...
For once everything said is true, clear, and ,without any doubts, said by someone who knows what TRUE SAMADHI is.
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The Book and the Sword (The Martial Arts Novels of Louis Cha), by Louis Cha, Graham Earnshaw, Rachel May, John Minford

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In the Book and Sword, Louis Cha revives the legend about the great eighteenth-century Manchu Emperor Qianlong which claims that he was in fact not a Manchu but a Han Chinese as a result of a "baby swap." The novel is panoramic in scope and includes the fantastical elements for which Cha is well-known: secret societies, kungfu masters, a lost desert city guarded by wolf packs, and the mysterious Fragrant Princess.

• Sales Rank: #280545 in Books
• Published on: 2005-01-20
• Original language: Chinese
• Number of items: 1
• Dimensions: 5.90" h x 1.40" w x 8.60" l, 1.72 pounds
• Binding: Hardcover
• 536 pages

About the Author
Louis Cha is probably the most widely read author in modern China. His martial arts novels, originally serialized for newspapers, have been adapted for TV, film, cartoons, video games, and even restaurant menus, and they have been translated in numerous languages.

John Minford has translated many works from the Chinese, including two volumes of the Penguin Classics edition of Cao Xueqin's eighteenth-century novel "The Story of the Stone," He is co-editor of the landmark anthology of translations "Classical Chinese Literature,"

Earnshaw is editor-in-chief of Xinhua Finance, managing director of SinoMedia, Ltd. and a director and founder of Park 97 in Shanghai. He speaks Cantonese and Mandarin, and taught himself to read Chinese.

Most helpful customer reviews

110 of 113 people found the following review helpful.
The Book and the Translator
By Graham A. Earnshaw
The Book & The Translator

By Graham Earnshaw

Once upon a time, in 1973, I landed in Hong Kong and sat in the lobby of the Mandarin Hotel and looked at a notice under the glass of the coffee table with identical information in both English and Chinese, laid out as numbered points. I looked at the English "1,2, 3", then at the Chinese squiggles, and saw that one stroke was 1, two strokes 2 and ... three strokes 3! I can read Chinese! It was a simple path from that moment to the translation of the kungfu novel "The Book & The Sword", now published by Oxford University Press.

The novel was written by author Louis Cha, who occupies a position in modern Chinese literature equivalent to that of Charles Dickens, Ian Fleming and Tom Clancy combined. He is a giant, and unfortunately a lonely giant. There are no other authors of his stature in modern Chinese popular literature.

The Book and the Sword is a story that virtually every Chinese person knows, involving kung fu secret society struggles against the Manchu court, the beautiful but tragic Fragant Princess, whose tomb stands outside Kashgar, and the war between the Manchu armies and the Muslim peoples of what is now western China.

It was Cha's first book, serialised in 1955 under his pen name Jin Yong in the Hong Kong newspaper that he founded, Ming Pao. Louis Cha (Jin Yong), is a famous media person, and one of the top authors in the Chinese world. His novels have had a huge impact on the whole of Chinese society and culture, and have been adapted many times for TV, film, audio cassette, strip cartoon and even computer games. He is probably the most-pirated author of all time.

Cha's novels find favour with all levels of Chinese society, from the university professors who savour his command of the Chinese language, to kids who just love the fight scenes. From a western perspective, they provide a window into the Chinese world, revealing its essence through the dreams and fantasies that make up whatever it is to be Chinese. The equivalent, in other words, of Tolkein's success in "Lord of the Rings" in tapping into the sources of northern European culture.

Book & Sword's story has a panoramic sweep which takes as its base a few unbeatable themes - secret societies, king fu masters, the sensational rumour so dear to Chinese hearts that the great Manchu emperor Qian Long was in fact a Chinese and not Manchu. It also mixes in the exotic flavours of central Asia, a lost city in the desert guarded by wolf packs and the unforgettable Fragrant Princess, who ate flowers and exuded a scent that every Chinese man would love to inhale. Me too.

Translating the book took around four years, and the fight scenes were by far the hardest part to get right. It inevitably involved some simplification. But I was as faithful to the spirit of the original as I could be. I took the view that I could omit or simplify, but not add and Mr Cha agreed with my approach.

When I translated the book, Chinese culture on the world scene basically came down to Bruce Lee. Now, the world has turned, "Heroes" and "Croaching Dragon" are major international box office draws, and kung fu culture has infiltrated western culture to a significant degree - the Matrix series is the proof.

(p.s. the Amazon system requires a star rating on all review entries, otherwise I would not have been so immodest as to rate this book)

30 of 31 people found the following review helpful.
Story slow to start, but good when it gets going
By FRANCIS PETTIT
This a kung fu adventure story full of fights, beautiful ladies, complicated romantic relationships, political intrigue and travel in China's wild west. The story takes a looong time to get going (about 300 pages out of 510.) When it finally gets going, it's quite good and hard to put down. The adventure gets more compelling, and at the same time it becomes something of a tragic love story.

This book shares some of the virtues and flaws of the other major Louis Cha/Jin Yong novel translated into English, "The Deer and the Cauldron." The virtue: both books are excellently and idiomatically translated by Graham Earnshaw, with a nice glossary to help you with all the character names. These two books are currently the ONLY novels by Louis Cha translated into English (except for one notoriously bad translation by someone else, and some comic book adaptations.)

The flaw: like "The Deer and the Cauldron" which took about 250 pages to get going, after which the next 1,250 pages (or whatever) were simply un-put-down-able, with this novel, the first 300 pages just introduce the characters and have repetitive fight scenes. It shows its origins as a serial in a newspaper. When the real story gets going, here it's only 210 pages to the end, alas, but it does leave you wanting more.

At first you think the novel is about a teenage girl who learns kung fu in secret and travels in disguise as a boy. Then you think it's about this or that member of the Red Flower Heroes, a secret society of patriots in Qing Dynasty China dedicated to overthrowing the Manchu government. They engage in numerous repetitive battles. Several couples are introduced and they gradually pair off, each romantic pairing clearly signalled.

Finally the story centers on Helmsmen Chen, the leader of the Red Flower Society, and his, um, complicated romantic relationships. While travelling in China's Muslim Wild West, he falls in love with Huo Qingtong, a Uighur (Turkic) princess of extraordinary brains, courage, and kung fu skills. But, due to a romantic misunderstanding, he thinks she's already taken. By coincidence he meets her sister, the Fragrant Princess Hasli, the most beautiful woman in the world. Through various misunderstandings, the virtuous Helmsmen Chen winds up with both sisters in love with him. I'm not giving anything away to say that this kind of thing cannot end well, and the story has a tragic aspect.

The latter part of the story can be quite exciting, with lost cities in the desert, hidden passages, that kind of thing. As you'd expect for a newspaper serial, there are implausible parts and logical discrepancies. If there's one thing about this novel that makes it inferior to "The Deer and the Cauldron", it's that Helmsman Chen is so virtuous, he's boring. I kept hoping he would show some lust or jealousy or something.

There is also a lot of political intrigue; the Manchu Emperor is secretly a Chinese by birth, and the Red Flower Heroes hatch a plan to exploit this fact to drive out the Manchu oppressors. Anyone who knows Chinese history knows how that will turn out. So, this story does not have a happy ending, but it is tied up nicely.

Graham Earnshaw deserves a lot of credit for translating this important Chinese author. Hey Graham, when you gonna translate "The Eagle-Shooting Heroes"?

16 of 19 people found the following review helpful.
another good book for my collection
By A Customer
this is what i expect from Louis Cha, an involving storyline and lots of kung fu stuff that i can't understand but still enjoy...
this book has both.
it's a great book, but i wish it were longer, cuz when i get into a book i don't want it to end. even "outlaws of the marsh"(2000+ pages) seems short when you're done reading it.
here are some recommendations.
"Musashi"
"Taiko"
"Outlaws of the Marsh"
& "The Deluge"

See all 9 customer reviews...

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A collection of highly imaginative short pieces that speak to our times with deadly accuracy. Vintage Atwood creativity, intelligence, and humor: think Alias Grace.

Margaret Atwood turns to short fiction for the first time since her 2006 collection, Moral Disorder, with nine tales of acute psychological insight and turbulent relationships bringing to mind her award-winning 1996 novel, Alias Grace. A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband in "Alphinland," the first of three loosely linked stories about the romantic geometries of a group of writers and artists. In "The Freeze-Dried Bridegroom," a man who bids on an auctioned storage space has a surprise. In "Lusus Naturae," a woman born with a genetic abnormality is mistaken for a vampire. In "Torching the Dusties," an elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. And in "Stone Mattress," a long-ago crime is avenged in the Arctic via a 1.9 billion-year-old stromatolite. In these nine tales, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

• Sales Rank: #136177 in Books
• Published on: 2014-09-16
• Released on: 2014-09-16
• Format: Deckle Edge
• Original language: English
• Number of items: 1
• Dimensions: 8.54" h x 1.11" w x 6.01" l, 1.00 pounds
• Binding: Hardcover
• 288 pages

Amazon.com Review

An Amazon Best Book of the Month, September 2014: “Stop trying to pimp me out to all these groupies,” a famous author and infamous cad utters in “Revenant,” one of three cleverly interconnected tales that begin Margaret Atwood’s superbly sardonic Stone Mattress. He is referring to an impending visit from an infatuated graduate student who is supposedly writing a thesis about his sonnets…which aren’t really sonnets (long story). Naveena—her name, he derisively but accurately points out, “sounds like cheese food slices. Or better—like a hair-removal cream”—is insufferable enough to be sure. The depiction makes yours truly nervous to be writing this review, but it’s all part of the fun, and these tales are fun, which is odd considering the sinister current that runs through many of them. But it’s as if the reader is privy to some sort of inside joke. This is especially evident in “The Dead Hand Loves You,” when Atwood playfully skewers the horror genre then gleefully indulges in it, and the ominously tongue-in-cheek “Torching the Dusties.” Fans of Margaret Atwood will certainly delight in this collection. But beware, the Stone Mattress will make groupies of old and new readers alike. –Erin Kodicek

Review

"Witty and frequently biting ... this book’s stories offer characters a chance to put their own understandings of gallantry, courage and revenge to the test, in ways both mundane and extraordinary."
—The New York Times Book Review

"In Stone Mattress [Atwood is] having a high old time dancing over the dark swamps of Horror on the wings of satirical wit ... Look at these tales as eight icily refreshing arsenic Popsicles followed by a baked Alaska laced with anthrax, all served with impeccable style and aplomb. Enjoy!"
—Ursula K Le Guin, Financial Times
 
"These exuberantly told tales are a tour de force of wit, style, and discernment."
—O Magazine
 
"Eclectic, funny, vibrant, terrifying, beautiful, and utterly delightful."
—Boston Globe

"[These] stories have the caustic wit and giddy deviance ... along with the probing interiority and flinty insights of Atwood’s novels."
—Minneapolis Star Tribune
 
"Stylish, acerbic and wickedly funny ... With wit, sympathy and precision, Atwood draws readers into a reflective frame of mind."
—Miami Herald

"[This] collection is surprisingly unsettling, gripping and at once laugh-out-loud hilarious. It attains its laudable goal: Myths last over time, and the stories in this book have that very quality. They are timeless, memorable and quite simply fun."
—Chicago Tribune

"Stunning ... Atwood brings her biting wit to bear on the battle of the sexes."
—Publishers Weekly, starred review
 
"Shrewdly brilliant, gleefully mischievous, and acerbically hilarious ... Atwood has the raptor's penetrating gaze, speed, and agility and never misses her mark."
—Booklist, starred review
 
"Clever tales about writers and lovers ... Atwood is a playful, sharp-edged, and politically alert author."
—Kirkus Reviews

About the Author
MARGARET ATWOOD, whose work has been published in thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, her novels include Cat's Eye, short-listed for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, short-listed for the 2003 Man Booker Prize; The Year of the Flood; and her most recent, MaddAddam. She is the recipient of the Los Angeles Times Innovator's Award, and lives in Toronto with the writer Graeme Gibson.

Most helpful customer reviews

54 of 58 people found the following review helpful.
A bit bumpy but Atwood is mostly in very fine form here
By Kcorn
If the rating system allowed, I'd give this one slightly more than 4 and 1/2 stars so I rounded up to 5 stars. I was drawn into most of these tales and I think this work is actually a fine introduction to Atwood's writing, her finely crafted sentences, and often otherworldly (or at least in between reality and surrealism) themes. She is also excellent when, at her best, she creates detailed portraits of individuals. They aren't always ones I'd like to know but are fascinating on the page.

I've had an ambivalent feeling about a fair number of Atwood's books. Some I've liked a great deal. Others left me cold. But I can absolutely recommend "Stone Mattress." It is one I'd be happy to reread.

While I liked - often loved- some of the tales in this book, there were a couple which weren't nearly as compelling as the rest. "Stone Mattress", the centerpiece of the book, focused on a woman bent on revenge and murder for a terrible injustice done her many years ago. Does she succeed? I won't disclose that, won't spoil it for potential readers. But I can say that I never thought I'd feel drawn to a possible murderess and feel compassion and understanding for her intense anger. I do want to add that some of the details in "Stone Mattress" are gruesome - so be aware of that.

If I tried to describe every one of the works here, this review would be overly long so I'll simply mention one other which resonated with me, "Torching the Dusties". It portrays a timely issue, the resentment felt by some younger adults towards the older generation who - in their opinion - "messed it up" for the next generation, killing the planet with greed and blindness to their impact on the environment. The younger adults feel cheated and are outraged, determined to do something about it. Again, I won't reveal more details about what happens next. I hate reviews with spoilers.

I hope this review perks your interest and if you've never been a fan of Atwood that you consider revisiting her writing by reading "Stone Mattress." I'd be interested in other readers" take on it. I received a free copy of this for review but was a bit reluctant to dive into an Atwood book. I'm glad I dove into this one.

0 of 0 people found the following review helpful.
Margaret Atwood writes exposition brilliantly. Unfortunately
By Amazon Customer
Margaret Atwood writes exposition brilliantly. Unfortunately, that's all this book is - endless exposition. There are 9 short stories in which almost nothing happens. The only one I enjoyed was The Dead Hand Loves You, but I almost didn't make it that far. This would be a great assigned book for a writing class, but in terms of enjoyment, I rate it low.

0 of 0 people found the following review helpful.
that doesn't mean that she is always fun to read
By BSteeve
Atwood writes with a message and she makes her point, that doesn't mean that she is always fun to read.

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• Sales Rank: #278032 in eBooks
• Published on: 2015-07-20
• Released on: 2015-07-20
• Format: Kindle eBook

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1 of 1 people found the following review helpful.
Excellent thoughts. To the buyer
By Pastor Ed
Ben is consummate conservative. Excellent thoughts.
To the buyer. beware that on 4 or 5 occasion in the Kindle version....a skip occurs and you lose 3 to 5 pages and then the writing continues.

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By marymertz1
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