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You Are Not a Stranger Here: Stories, by Adam Haslett
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In his bestselling and lavishly praised first book of stories, Adam Haslett, author of Imagine Me Gone, explores lives that appear shuttered by loss and discovers entire worlds hidden inside them. The impact is at once harrowing and thrilling.
An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.
- Sales Rank: #112802 in Books
- Published on: 2003-08-12
- Released on: 2003-08-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.20" l,
- Binding: Paperback
- 256 pages
Amazon.com Review
In his debut story collection, You Are Not a Stranger Here, Adam Haslett drags into the light subjects often left in the cellar. Most of his stories are told from the viewpoint of the mentally ill (though one, "The Good Doctor," shows us madness from a caregiver's perspective). The rest of the stories deal with closeted homosexuality: boys who are just learning their identity, men who have never come to terms with it. Haslett is an enormously compassionate writer, and shows a lovely, plain-written acuity about his people. His writing is a convincing inside job--he never romanticizes or oversimplifies. In "The Volunteer," an old woman at a care facility is haunted by the voice of an ancestress named Hester: "For more than two decades, Elizabeth Maynard has done exactly as she is told and the voice of Hester, which has cost her so much, comes only quietly and intermittently. It is a negative sort of achievement, she thinks, to have spent a life warding something off."
Haslett has a gift for writing quietly about sensational topics: men cruising each other in the park at night; an abusive, self-hating relationship between two adolescent boys. The stories can get a bit too fancy: the writer can't resist the ironic twist or the surprise ending. Still, this is a beautifully written collection that's as heartfelt as it is intelligent. --Claire Dederer
From Publishers Weekly
In this affecting debut collection, Yale Law School student Haslett explores the complex phenomena of depression and mental illness, drawing a powerful connection between those who suffer and those who attempt to alleviate that suffering. In "The Good Doctor," Frank, a young M.D., goes out of his way to discover the origin of his patient's illness, only to learn of both her untreatable pain and his own fears and regrets: "The fact was he still felt like a sponge, absorbing the pain of the people he listened to." In "The Beginnings of Grief," suffering becomes a way of healing when a teenager coming to terms with both his homosexuality and his parents' sudden deaths seeks connection wherever he can find it, even in the pain inflicted by a classmate's violence. Often, Haslett convincingly interweaves the perspectives and lives of seemingly disparate individuals. In "The Volunteer," a teenager's awkward incomprehension in the face of his first sexual encounter bizarrely coincides with the breakdown of a schizophrenic woman he visits after school. Not all of the stories are charged with this kind of emotional complexity, however, and some tend toward the sentimental, as does "The Storyteller," in which the clinically depressed Paul, who feels himself to be nothing but a burden to his wife, Ellen, rediscovers his vitality in a chance encounter with an elderly woman and her dying son. Though the thematic similarity of many of the stories dulls their startling initial impact, this is a strikingly assured first effort.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Those setting collection policy in public libraries are often forced to base their decisions on genre alone and will buy a detective novel, for instance, at the expense of a collection of short stories, especially one by a first-time author. Haslett's debut shows what is wrong with this approach. Courageous and compelling as any in today's fiction, the despairing characters in these nine stories are all related to someone who has left or will leave them, usually owing to mental illness. In "Divination," for instance, a sensitive boy reflects on the precise moment when he became alienated from his family. In "Notes to My Biographer," the narrator, in a burst of manic impulsion, decides to visit a son he has not seen in years. His irascible sense of humor propels the story until we learn that his son treats his inherited disease with medication that the father won't ingest; reconciliation is only possible if the son stops taking his. Such uncompromising and realistic representations of depression and its symptoms are commendable. Too often, the sufferers' loved ones are depicted with lugubrious sobbing, but the narratives move forward with few detours, and readers will turn the pages accordingly. Strongly recommended for mid- and large-sized public libraries and academic literary collections. Edward Keane, Long Island Univ. Lib., Brooklyn, NY
Copyright 2002 Cahners Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A brilliat debut collection of stories from a new American master
By Bruce Payne
This collection of stories was Adam Haslett's debut - and was a National Book Award and Pulitzer Prize finalist. Haslett's novel, IMAGINE ME GONE, is one of the best three books of I have read this year. This is also in that top three. (The third is Bryan Stevenson's JUST MERCY.)
The stories are a stunning array of damaged people, unlike any I have read before. An orphaned teenage boy engages the school bully in an erotic pas-de-deux of anger and self-loathing. An elderly woman from a prominent family, long institutionalized, befriends an unhappy high school student, bringing warmth to both their tattered lives. An unmarried brother and sister share their family's oppressive house, and their intertwined romantic failures, eating dinner while their hopes erode.
In each tale, Haslett's virtuoso writing brings vivid life to these unhappy people, and the odd measures that they take to get by from day to day.
Reading this on the train, I was utterly unaware that we had reached our destination until the conductor gently drew my attention. Thank heavens we live at the end of the line, or I would have completely missed my station! These stories are utterly absorbing, capitivating jewels with facets of dread and loneliness and even a bit of hope.
Adam Haslett is a contemporary American master. I do not say such things lightly.
1 of 2 people found the following review helpful.
The Very Best Short Stories
By Foster Corbin
I read this book of short stories last fall and am still amazed at how good they are. I have read "The Good Doctor" three times. It is as good a short story as I have ever read. The writer manages to say more in about 20 pages than many modern fiction writers say in hundreds of pages if ever. In this somber, heartwrenching story, a hung-over young doctor from a county clinic visits a patient out on the prairie, a forty-four-year-old woman suffering from depression. Neither the young doctor nor the reader is ready for what he discovers. I literally gasped out loud when I discovered how this woman lost all her fingers on one hand. Reading this story was a first for me. I do not believe any short story (only a few novels) had ever made me weep. This story did. So much going on here. The young doctor tries so hard, but we have to ask just how "good" he is. Many of us have had the sad experience of having a "professional" not listening to us.
When I finished wonderful book, I had to ask: why on earth is this writer attending law school? Surely the world doesn't need another lawyer. We will never have too many fine writers!
1 of 3 people found the following review helpful.
Almost 5 stars...
By P. Meltzer
For readers like myself who make a dligent effort to finish any book they begin, a collection of short stories is always a scary proposition because if you don't like the first few, chances are you won't like any of them. By contrast, a full-blown novel can start out weak and get stronger. In the case of this collection, I'm happy to say that I thought the stories were mostly excellent. In fact I would have given it five stars, except that I felt that the last third of the stories were not quite up to the quality of the first two-thirds. I note that there were 4 themes that ran through these stories and most of the stories included at least 2 of the themes if not more. They are, in no particular order: 1. Homosexuality--3 stories. 2. Mental problems--5 stories. 3. Depression--5 stories. 4. Believing oneself or another to be near death, whether or not in reality--4 stories. The mental illness and depression themes are related but not identical, because in several stories the characters have one quality but not the other. I realize that this gives the impression of the stories being relentlessly downbeat, but I do not mean to suggest that it is depressing to read the stories. As some have noted before me, the stories do linger in your mind long after you have finished them and reading the collection itself is not a depressing experience. I also like the way that many of the stories had what I would consider to be "small surprise" endings, not in the sense of happily ever afters or a shocking twist, but just something to make to think about the story a little longer.
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